Writing Music To Picture
Paris France, the evening of the 28th of December 1895, a congregation is gathered and seated, the lights are dimmed and the first public performance of a moving picture, a film, a movie, commences. A clattering new contraption called a cinématographe. Why did the Lumiere Brothers, the godfathers of film, instictively know that music was required. That the audience gathered would feel, that without music, something would have been absent, even if this absenteism was at an exhibition of something they had never witnessed and therefore had no comparison, no prior experience of. Why do we need music to picture.